African Cinema

Kabor Wend Kuuni (1982) and SissakoLife on Earth (1998) both appear superficially to fit Diawara category of “return to the source films: village life, landscapes, food production, etc. Write a detailed comparison of the two films, in which you note their similarities, but also try to differentiate them from each other on such things as their temporalities, their use of landscape, their sense of Africans autonomy and its articulation with the rest of the world, and even their choice of music.

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